As the name implies, seinen works are marketed primarily to an audience of young men the age range commonly understood to be the target of such works goes roughly from 17 to somewhere in the 40s., violence Violence is the use of physical force against oneself or another entity, compelling action against one`s will on pain of being hurt. Oppression, perpetual warfare, lawlessness, despair or other forms of mental instability, and other highly undesirable factors tend to be rampant., seinen Seinen, literally "young man", is one of the main demographic classifications applied to manga, and, by extension, to anime, especially manga-based ones. See also manhua and manhwa., rotten world A rotten world is a setting or situation where the jaded notion that "anything that can go wrong will go horribly wrong" almost always applies. However! There are exceptions where the manga was not the basis for the anime. Everything and its mother is based on manga. The term was originally applied to the Sicilian mafia, but has since expanded to encompass other organizations of similar methods and purpose, such as in "the Russian mafia" or "the Japanese mafia"., manga Manga is the lifeblood that drives the anime industry. It often contains a lot of shooting, explosions and fighting., gunfights Fights where two or more parties are firing guns at one another., mafia A mafia is a type of organized crime syndicate whose primary activities are protection racketeering, the arbitration of disputes between criminals, and the organizing and oversight of illegal agreements and transactions.
6.Action Action anime usually involve a fairly straightforward story of good guys versus bad guys, where most disputes are resolved by using physical force. Thankfully Ladd is on form and delivers the best parts of the screenplay with a steely cold sharpness that positively tickles the fancy of noir lovers. Some smart location work is on show, with the backdrop of pool halls and cheap hotels utilised to good effect by Allen and Seitz, and a couple of scenes really sock the jaw literally in one case! But it never rises above being a routine cops and robbers based homage to the U.S.P.S. Another irritant is that Sterling (wasted) as Paul Stewart's (good villain value as usual) moll really doesn't impact on proceedings, she wanders in and out of the film promising to be a femme fatale, but it never happens and after playing out as a weak red herring she exits with a whimper. The strand involving Calvert's nun is a weak one, it's clearly a narrative device to smooth out Goddard's rough edges, but it never really works and that the writers turn her into a dumb ass late in the play is annoying.
Goddard is constantly at threat of being exposed, he has to consistently think on his feet, have a quip or yarn to spin to deflect suspicion, so this keeps things spicy in the story. We quickly learn that he is basically a great cop but not much of a human being, since we know who did the murder from the off, we have to rely on Goddard's undercover operation for our suspense quota, which comes in spades. However, that is a small complaint in truth because it's so much fun to be around Ladd's Al Goddard. A great opening involving the murder is kind of a false dawn, in that the mood and visual strengths on show here are rarely reproduced during rest of pic. Alan Ladd's last film noir (though it barely qualifies as such) is good entertainment that relies on hardboiled speak more than it does action or mystery. Not only that, but they plan to steal one million dollars being transported by the U.S.P.S., clearly Al has a lot on his plate. There's a witness to locate and possibly protect, a nun, Sister Augustine (Calvert), and soon enough Al has to go undercover as a crook to infiltrate the gang responsible for the murder. Postal Inspector sent to investigate the grim murder of one of his colleagues. Music is by Victor Young and cinematography by John F. It stars Alan Ladd, Phyllis Calvert, Paul Stewart, Jan Sterling, Jack Webb, Stacy Harris and Harry Morgan. Appointment with Danger is directed by Lewis Allen and written by Richard L.